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11 décembre 2009![]() |
Lowest Price on Ghost in the Shell: Stand Alone Complex, Volume 01 at Amazon..
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Ghost in the Shell was one of my first exposures to Japanese feature length anime. It was at its time a ample technical and artistic achievement, and peaceful is today, despite the number o anime series that have borrowed from it. Now a original venture brings the same contest to the more intimate television experience. And once again the durability of the status and ideas are demonstrated to a modern audience.
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The context is a time not far in our future when heavy cybernetic modifications of the human body are possible. For some this has gone to the point of using a totally artificial both with an implanted human brain (the ghost) and it’s associated quirks and personality. The star of this series is one such, Major Moto Kusanagi, both pretty and deadly. She is a lead investigator in Fraction 9, a special police branch headed by Chief Aramaki. Her and her team are often brought in when a case involves national security and the intermixing of cybernetic and human consciousness. For the fans of the current film and the manga, the whole crew is indicate - Batou, Togusa, and the ever-present Tachikoma robots.
The continuity between this series and its origins is gracious - although Kusanagi has a habit of being even less dressed than she appears in the film. The world of the series has been updated a bit to screen for the change in public awareness of digital possibilities. The premise for this is that the events leading up to Kusanagi’s transformation into a creature of the gather simply didn’t happen. Director and writer Kenji Kimiyama has space out to design a slightly more down to earth memoir with more components of a police procedural than deep philosophical moments. Although the issues of what is human and what is not composed continue to haunt the stories it not longer dominates.
Buy,Download, Or Stream Ghost in the Shell: Stand Alone Complex, Volume 01! Click Here
The four episodes on this disk veil a police veil up about a hacker incident, a military cyber-tank that suddenly develops an alarming amount of intelligence, a recent develop of bait-and-switch in a geisha house, and a series of suicides by sparkling but venerable androids. Each record manages to behold the tension at the human machine interface, revealing a sometimes chilling vision of the human and AI experience of a world traveling at Internet accelerate.
Of sign is that the music for the series is by Yoko Kanno, one of Japan’s most necessary composers for the film. She has been responsible for Cowboy Bebop, RahXephon, Escaflowne, Wolf’s Rain, and a host of other successes. Ghost in the Shell is another proof of her skill at matching music to belief. Build this whole disaster down as a must of Ghost in the Shell fans.
The wicked DVD includes two obedient interviews. One is with director Kenji Kimiyama that reveals a lot of his intentions in the series. The second is with Atsuko Tanaka who is the Japanese content actress for Major Kusanagi. It is a shame that the US audience is often totally unaware of the trusty dramatic forces brought into play by the unique cast, but goes along with dubbing that is often too flat and poorly translated. Tanaka is a force of her acquire, and the listener should at least acquire the time to listen to the Japanese with subtitles to net a sense of Kusanagi’s intended drawl.
The Ghost in the Shell name is best known for the attractive movie released in Japan and the United States in the mid 1990s, based on the common manga by Masamune Shirow. In 2002 Production I.G. started ambitious work on an evolutionary absorbing series heavily based on the manga, with more input from Shirow. In June 2004, the series will form its American debut on the Cartoon Network, followed by this DVD release in July.
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Stand Alone Complex then is the title for the TV series, which takes situation independently from the manga and theatrical movies. Crafted wonderfully, the series features a balance of intelligence, technology, rebellious counter-culture, sadness, action, and cerebral plots that, while typical of Japanese manga, go far and above what American viewers typically receive. Movie watchers will ogle some familiar characters and settings - the main character, Major Motoko Kusanagi, is the tactical commander of Public Peace Fraction 9, a described governmental “offensive force against crime” led by the older Daisuke Aramaki.
Section 9’s members are nearly all cyborgs - military-grade constructed bodies and cyberbrains that host the human brain brand (essentially the soul or “ghost” of a person, the “shell” being the body) . Batou, the muscular gung-ho cyborg, and Togusa, the semi-normal relative newcomer (he’s essentially a human with some cybernetic implants) should also be familiar to movie viewers, as is Ishikawa. Other more one-dimensional team members, like Saito, Pazu, and Boma, will probably be more familiar for manga readers. The Tachikomas (Fuchikomas in the manga) round out the active Portion 9 staff, sentient AI tanks that provide a bit of humor with their child-like, yet compelling, mannerisms, personalities and voices.
The overall series state and title stem from the Laughing Man case, though there are plenty of individual one-episode stories. The episodes are frequently introspective, while highlighting and sometimes amplifying various human flaws through technology. Another theme involves a kind of revolutionary counter-culture fixating around the cult figure of “The Laughing Man,” a seemingly ingenious hacker whose apparent crimes in the past may or may not have spawned independent imitators for popular causes - the “Stand Alone Complex.” The show’s writers seem to be well versed in alternative or counter-cultural ideas - the Laughing Man frequently appears in the guise of a rotating smiley-face icon quoting from J.D. Salinger’s “Catcher in the Rye,” while the name “The Laughing Man” itself is from one of Salinger’s short stories.
Buy,Download, Or Stream Ghost in the Shell: Stand Alone Complex, Volume 01! Click Here
The quality of the artwork varies by the episode - there isn’t one unifying art style as in other anime series. That said, the animation is generally quite qualified, with a valid mix of 3D graphics blended with the 2D characters. Likewise the music direction and composition is amply offered in the varied and frequently eclectic style of Yoko Kanno, and resembles her mix in Macross Plus and Cowboy Bebop. Frequently the combination of art, music, and spot mesh quite well. Viewers may put a question to Kusanagi’s dress code, the snappily bouts of graphical violence, or the complete lack of action - this note is definitely not for children.
The Special Edition DVD dwelling features 3 DVDs: the first features the first four episodes with extras, the second features the first four episodes with DTS sound (and extras), and the third features the unique soundtrack for the first season. Only the first disc is featured with the regular place.
Here is an episode summary:
SECTION 9: The series is introduced after a short encounter with a rooftop criminal as the Ministry of Foreign Affairs and party is suddenly held hostage in a robot geisha house. Aramaki fast takes control with Piece 9, but nothing about the hostage set, the aftermath, or the army’s involvement is as it seems. The entire team is introduced, some albeit briefly, as is Aramaki’s long-time friend Kubota. The station generally isn’t too complex and is easy to figure, but it’s a reliable inaugurate.
TESTATION: At the Kenbishi Heavy Industry’s Maneuvers Dome the company’s unique heavy multi-legged sentient AI tank seemingly goes berserk, blasts itself out of the Dome, and gets on the highway - but where is it going? And why? It’s Portion 9’s job to follow and if possible finish the tank, while discovering why it went berserk. This episode really introduces the Tachikomas and involves one of the most sentimental and nearly tearful stories in the entire season. It’s absorbing how the direction focuses on the cyborgs of Allotment 9 as Togusa details how Kago wanted something similar for himself and could never pick up in life.
ANDROID AND I: Old-style “Jerry”-type androids initiate self-destructing in spectacular ways en masse, bringing Piece 9 into the case, fearing a connection to an earlier case in the capital. While the case doesn’t seem as vicious, the investigation hasty brings Batou and Togusa to the apartment of the perpetrator - a film-buff apparently in treasure with his android. Reportedly one of the exhibit creator’s approved episodes.
INTERCEPTOR: The fourth episode begins the main account arc with the Laughing Man case as a police investigator on the case and acquaintance of Togusa is killed before he can thunder Togusa something about the investigation - not with the case itself but something going on at higher levels of the investigation and the special investigation branch formed to solve the case. Before long Togusa discovers the illegal consume of interceptors - dinky cameras implanted on the surface of the perceive - on the team itself. A scandal unfolds, and before long the Laughing Man himself makes an “appearance.”
Honestly the first spot should have the next two episodes as well as they are all linked but nevertheless these four note a fairly impressive range of what Stand Alone Complex is all about. Highly recommended.
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